
(Tango, by Arnold Isbister)
I am reflecting on discussions from yesterday evenings Feminist Perspectives Module session ( part of an MA in Pastoral Theology).
What if God's invitation to imtimacy were more like an invitation to tango, than to join in a stately dance? A suggestion made by our tutor seemingly unrelated to the evening session and yet I find the question haunts me; we were looking at Chapters from Anne Carson's book Decreation; specifically concerning mystics Sappho, Marguerite Porete , and Simone Weil, and how they "wrote God". In each case the depth of their encounter was spiritualy and somehow sensualy erotic, and may it seems have driven them to madness. Filled with the desire to become less, to lay themselves aside in order to be consumed by the otherness of God.
Weil says;
"If only I knew how to disappear, there would be a perfect union of love between God and the earth I tread the sea I hear."
Weils desire to become less and less manifested itself in voluntary starvation- possibly more appropriately named anorexia- the physicality of food reminded her of her humanness, something she wished to set aside in order to be consumed by God. Her reason was that she was acting out of sympathy for those in France who did not have enough to eat seems a thin veil for one whose writings reveal depths of desire and denial as she struggled to lay herself aside.
Porete sees herself in an erotic triangle of love within God, she herself takes two parts, the inner and the outer self, she speaks of herself as null, deficient and naked, receiving poverty as repletion, and God as an overflowing lover. She was burned at the stake in 1310 for her book about the absolute daring of love "The Mirror of Simple souls".
Sappho we know little about, except through her poetry, and even then the details are but fragments, Anne Carson makes two interesting suggestions which pick up again the desire to become less, to reach outside of self to "god". Sappho describes herself as greener than grass, taking the position of standing outside of herself; Carson notes that this state was attributed by the Greeks to mad people, geniuses and lovers. She quotes the last line of Sappho's poem;
"All is to be dared because even a person of poverty...."
Stating that we do not know, nor can we hope to understand the depths of meaning retained within those poignant words, and yet if all is to be dared, dare we to read that all is given....
Should we be awed by or afraid of what these women reveal through their writings, do the hold up a mirror to our own longings, or perhaps what is peculiar to women a sense of self-loathing that goes beyond destructive to the actual decreation of our very beings?
Is this a search for gnosis, and does it have anything to teach us about ministering to those who struggle with issues of self-harm, anorexia and the like?
Is desire for God dangerous, should we wish ourselves consumed, swept off our feet into a divine tango, a dance of desire and danger- especially if we dare to venture beyond its boundaries?`
I find I am left with more questions than answers, but conclude that there is a fine line between love and desire and total obsession, that where love frees and empowers us, for in it we know ourselves loved, valued and worthy of love, obsession drives us over the edge to madness where the boundaries are broken and we risk not only loosing ourselves but also God, for we venture to a place where we are no longer held.
If as our tutor evocatively suggested , perichoresis is more like a tango than a stately dance, we would do well to stay within the rules of the dance, held by firm boundaries of tradition, accepting God's invitation to dance with care and guidance from those whose dancing skills are superior to ours. We would do well to look carefully into the mirror these women offer to our own souls in considering our responses to God's invitation to dance.
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